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Christopher Kondek has been creating
video for performance for over 10 years. In 1989 he became
an Associated Member of the New York multimedia company The
Wooster Group, where he created video for the Group's theatre
works: Brace Up!, Fish Story, Emperor Jones, and The
Hairy Ape. He also recently completed a new video work based on The
Emperor Jones which opened the 1999 Lincoln Center Video Festival.
For The Builders Association, he was responsible for creating
video for Jump Cut (Faust) (1996) and Jet Lag (2000). In 1995
he co-created visuals with multimedia artist Laurie Anderson
for Nerve Bible. He recently worked with Anderson again, co-creating
slides and video for Songs and Stories From Moby Dick (1999.)
He designed the video for Robert Wilson's The Days Before:
Death, Destruction and Detroit III (1999) and for Wilson's
multimedia project with pianist Tzimon Barto Hot Water (2000).
Kondek has also collaborated with composer Michael Nyman and
the Michael Nyman Band in The Commissar Vanishes (1999), and
collaborated with choreographer Meg Stewart in Alibi (2001)
at the Zurich Schauspielhaus. In addition to the stage, Kondek's
work has been exhibited at The American Museum of The Moving
Image in New York, and The Field Museum in Chicago.
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